Las decoraciones de embaldosado, en primer plano de los gráficos de gran tamaño, corresponden a la estructura de los casi cristales, aunque sus patrones ya habían diseñados como azulejos girih por los artesanos medievales (los nudos girih persas).

Utilizando un moderno embaldosado rómbico debido a Penrose, los azulejos girih se disponen como decoraciones de embaldosado con simetría rotativa décuple que son conocidas como girih.

En documentos como los indicados a continuación se puede encontrar una descripción detallada.

La estructura subyacente de esta imagen es la de un embaldosado rómbico de Penrose casi periódico (aperiódico), uno de los modelos geométricos que se utilizan para los casi cristales decagonales. La forma del área de color amarillo tiene simetría rotativa décuple aunque su centro es dissimétrico. Las disposiciones de este tipo se suelen llamar construcciones de voltereta.

La profesora demuestra en 35 lugares diferentes qué quiere decir dar una voltereta. Reduce la simetría rotativa décuple a una simetría rotativa quíntuple girando 15 veces la espalda hacia nosotros y alude al orden de un embaldosado rómbico espacial de Penrose.

Sugerimos comparar con la captura III del folleto descriptivo.

The opposite image was inspired by the famous work of the well-known Netherlands artist M. C. Escher who joined his figures in a similar flawless way.

Escher’s principles of arrangement were periodic with a correspondance to the atomic order of crystals. In contrast, the image which is presented here is based on a quasiperiodic Penrose tiling and so it corresponds to a quasicrystalline atomic order with fivefold rotational symmetry which cannot be crystallographic.

The red colored fish swim in five different orientations which are rotated by 36 degree to one another.

The turquois coloring let us detect the shape of the hub of a cartwheel.

This image shows the correspondence of the quasiperiodically ordered animals to four different but mutual derivable tilings.

The ring-shaped area is composed of yellow and orange triangles, called Robinson triangles. Inside the ring the triangles are combined to thick blue and small green Penrose rhombs, at its outside to blue kites and green darts. 

All kites have a one-to-one correspondance to a blue, green or yellow pentagon of the Penrose pentagon tiling in the background. The concave corner of a dart always lies in the center of a black pentagon, the arrowhead in the center of a purple one. The white and black points represent the matching rules of the kite & dart tiling.  

In a quasiperiodical nuclear structure with a detectable fivefold rotational symmetry the centers of symmetry must be evenly distributed allover the structure and there must exist centers of higher order.

Optimized quasiperiodical models - like the Penrose tilings - are hierarchical systems.

In the adjacent animalistic illustrated structure 13 centers of fivefold symmetry are highlighted in turquois. The 10 centers of rotation at the border area of the image are exactly placed at the corners of a decagon. The directions of rotation alternate consequently.

Where five ochreous “turtles” put their head together there are the rotation centers of higher order.

This wickerwork pattern is assembled only from two types of girih tiles, irregular hexagons and trapeziums. Their aperiodic matching rules are defined by six different colors in their corner regions. Please compare the file Girih Tiling Puzzle provided below the image. 

Inside the decagon with the center point C and the top corner T  the same-color corner regions are arranged to pentagons and twin pentagons with an equivalence relation to the order of a Penrose cartwheel.

The extension of this structure to the complete image area is made by four overlaps with copies of the central cartwheel. The rhombs PLVR clarify the positions of the five cartwheels.

If a red, blue or yellow colored pentagon or twin pentagon is reflected in one of the radial black lines, then the color of the mirror image is green, orange or violet.

The opposite relievo is a digitally edited version of the predecessor image which is called «Girih Cartwheel». 

The process of image editing, developed by te photographer Thomas Bischof from Nuremberg, was globally applied to the whole image, whithout any seperate change of image details.

Two png-files in high resolution of different relievo versions are provided for download. They are subject to the same open licence as other graphics of the wickerwork gallery, i. e., you have the permission to present them in non-commercial context. Attention should be paid to the best possible image quality and perpetuation of the original picture size. 

The first nuclear structures with eightfold rotational symmetry were discovered in 1987. These structures are quasicrystalline because a crystalline (periodic) order may have at most a three-, four- or sixfold rotational symmetry.

A geometric description succeeds in using the Ammann-Beenker tiling. The tiles are squares and rhombs with 45°-angles. The aggregation of the smaller tiles to larger ones − visualized by the coloring − confirms the hierarchical character of the structure. The wickerwork decoration which is drawn in has a clear-cut correlation to the tiles of both scales.

The highlighted area in the image center containing two large squares and two large rhombs corresponds to one of the Gähler-octagons which cover the plane completely (with overlaps) and have a one-to-one correlation to the closed rings of the wickerwork decoration. 

The opposite Penrose tiling is commonly named the kite & dart tiling. Its tenfold rotational symmetry is detectable in decagonal quasicrystals.

A fourfold rotational symmetry is perfectly realized in a squared paper, i. e., the paper gives the same aspect under a 90°-rotation about a free selected point. In contrast to a squared paper the structure of a Penrose tiling isn’t based periodically. But even though the Penrose tiles are only partially assembled to symmetrical stars and decagons the aspect of the Penrose tiling doesn’t get fundamentally changed under a 36°-rotation because the kites and darts occur almost equally apportioned to the ten possible orientations.

The uniform coloring of tiles with the same orientation clarifies the quasiperiodical sequences which are characterized by a non-periodical alternation of their distances.

The figures shown in this image are assembled in the manner of the artist M. C. Escher, although they don’t have periodical order which is characteristic for his graphic work. The arrangement of the fish and rays is transferred from the predeccessor image, a quasiperiodic and geometric Penrose tiling.

The corners of the figures correspond to the corners of the geometric tiling, whereas the edges of the tiles are deformed to the outlines of the figures.

In contrast to the geometric tiles which allow periodical arrangements too the assembling of the fish and rays force quasiperiodical order.

Two geometric tiles of the same type differing from one another by a rotation about 36 degree correspond to mirrored figures.